Neil August 25th, 2008
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
The MacDowell Colony is one of the best perks an artist can get. Tara Geer, a visual artist, went twice to work on her drawings. She also interviewed a MacDowell legend, lunch delivery man Blake Tewksbury.
Listen however to Tara describe the main obstacle she found to getting her own work done……what’s the answer?
And what is the result when she’s dealt with the obstacle at the end of her month?
This is the concept I stress as a core skill for artists, the meditative state – and a Mind Like Water.
Studio 360: Porochista, MacDowell, Blind Boys
Neil July 18th, 2008
My thanks go out to the Professional Photographers of Ontario for hosting a wonderful half day workshop for their members with me as their speaker at the Ashbridges Bay Yacht club in Toronto.
I was able to present to the group a motivational lecture, an on-location shoot, and an image review and quick post processing example after dinner. However to extend your experience, I’m going to provide you with some original Canon 1Ds raw files shot that day to try your hand at lab color mode post processing, as well as altering the mood of the photo with a lighting overlay image you can download from the Create Cart:
Have a brand new free texture from me as you check out from the cart – there are a few more free ones and several sets of high resolution texture and lighting files if you are interested.
Now on to the full raw file downloads:
Download Test file one (13mb Canon CR2 raw file): Blue background accentuated by a tungsten gelled main flash, if you weren’t there you can download this screen cast movie file to learn to process your files for rich and vibrant blues : or view this post page on photoshop manipulating the blue in images. This image would be a fun one to try out the texture – if you try it – post a link in the comments to your blog page, flickr page, or other way to see your results. In this image we use the principles of Make Light Real:
- provide a clear subject – by making the subject brighter than the background
- create compelling color and contrast – by altering the flash color temperature with a gel to warm it
- compose the unexpected – I waited until the boat was in the right place to add the added ‘story line’ to the photo
Download Test file two (13mb Canon CR2 raw file): another gelled image of the model on the rock, this is would be a great candidate for the lighting overlay you downloaded from above.
Download Test file three (13mb Canon CR2 raw file): a strong test of balancing the very dark nigerian model with the bright summer sky on the lakefront.
Have your fun with these images and post your versions to the comments and I’ll do my photoshop edits and post back in about a week.
Neil June 27th, 2008
Continuing my explanations from the gear I use - today again the small softbox:
So I was out on an engagement shoot and had done all the normal stuff and wanted a little something extra…
But the simple daylight angle was not very flattering and the busy environment of the playground rope piece made for a very messy image – cool – but a little too messy – what could I do quickly to improve the impact of my couple in the space…
Here I am climbing around searching for the right perspective….
Read on to see the final shot and read about my camera settings making it….
…illuminate your understanding with more…
Neil June 25th, 2008
FlashFlavor » Blog Archive » more SOL inspiration
Read through for the details and some inspiring photography from Mexico by Matt and Sol.
Note the bending the direction of the sunlight…
I’d particularly like to discuss this second shot.
In terms of “Hear the Shadows” which is now a new category after my teaching experience in the UK reminded me how often photographers have a hard time breaking the barrier to seeing against the norm – to make extraordinary - flavorful images.
Seeing what is happening in the negative space – or shadow space always creates the mood in a photo.
You control the shadows – with the light – you don’t actually create the light…..let it sink in.
Here Sol created an interesting shape by backlighting the bride and side lighting the groom – the comparison of the two shadows (the man’s shadow, and the womans) is what’s interesting and creating the powerful interest even though the man’s face is light.
I’ll also note that Sol created color contrast with the CTO gel – and split her background space with opposing gradients….the natural light is opposed by the fash, and the wall opposes the sky – very ying-yang for a powerful Tao
fan this site
