How to cross light a mountain: Aoraki Mt. Cook New Zealand

Neil November 12th, 2008

his post is in the Thinking Big series combined with a couple other techniques:

Equals how to cross light a mountain!
Aerial overall view
One of the repetitive questions I get from people are – why such a big flash – and why take it all over with you?

Quite frankly – this is EXACTLY why!

In my lighting case that I loaded onto the plane in Rochester New York was:

  • 1 Alien Bee 800 Monoblock flash unit
  • 1 Paul C. Buff Vagabond portable power unit and power cord
  • 1 Black Impact Air Cusioned light stand height 230cm (model #SLS-LS8A)
  • 1 Pocketwizard reciever
  • Paul C Buff 11 inch parabolic reflector

Here’s one of the resulting peak moment shots that I try to reach for in my wedding photojournalism. The lighting case was loaded in the helicopter’s coffin gear carrier for the trip up the mountain and across the island. But a large mono-light wasn’t all I had in my arsenal

Of course I want to cover the whole event with variety as well as style so get past the jump and let’s talk details…

Light Control: turn the sky from white to blue

Neil September 28th, 2008

Before flash:
 BIG BANG WEDDING 098.jpg

After Flash:
BIG BANG WEDDING 097.jpg

Catching the color blue, photoshop tutorial

Neil May 16th, 2008

I realized again how much I love the color blue when VFXY had a blue theme week.

Ever wonder why blue is such a wonderful color?

Blue is the hardest color for camera sensors to capture, and the hardest color for CMYK printers to print.

So how we deal with it in Photoshop is of utmost importance.

We’re sitting here on this beautiful blue jewel hanging in the galaxy, wouldn’t it be great if you captured some of that uniqueness in your images?

If you’d like to continue learning about the possibilities to accentuate and control the blue channel, purchase the Beautiful Blues Screen cast Training video.

photoshop tutorial video